What can Benjamin Kheng not do? Since starting out as a founding member of The Sam Willows in 2012, the former
national swimmer-turned-singer has been, literally, going places.
As part of the alluring pop foursome, he parlays his gifts –
musical talent plus brooding, good looks – to excellent effect. The group has performed overseas at the SXSW Festival in Austin, the
Canadian Music Festival in Toronto, MU:CON and Zandari Festa in Seoul, the Singapore F1 Grand Prix, and the Western Australian Music
Festival in Perth.
With the band on hiatus, Benjamin has been busy with solo projects. He’s exercised his acting chops, taking
on comedies and musicals along the way. He played Romeo in Toy Factory’s theatre production Romeo & Juliet and recruit Ken Chow in
Running Into The Sun’s musical adaptation of the film Ah Boys to Men. More recently, he has gone into writing and performing comedy
sketches, posting clips on TikTok, and diving deep into satire in the YouTube series, The BenZi Project, billed by Today newspaper as
“the smartest and funniest show on the Internet”.
He returned to music in November 2019, with his first solo single ‘Wicked’,
followed by two other singles ‘Find Me’ and ‘Lovers Forever’. In June 2020, he released his debut EP, A Sea That Never Stops, a
six-track offering which includes the previous singles, as well as three new tracks, ‘Shiny’, ‘Already Home’ and ‘Make Do’. It presents
Benjamin leaning towards an alternative R&B/electro-soul direction – think Sam Smith meets The Weeknd, bruised face
included.
Ahead of his performance, alongside those by lewloh and Marian Carmel, in the inaugural Flock at The Nest, Benjamin
shares with us some of his cultural favourites.
My Favourite Music Artist: Samm Henshaw (for this season). He’s like Leon Bridges
with beats, and I like Leon Bridges, and I like beats. He’s also Sam Cooke reborn! Check out his EP The Sound
Experiment.
My Favourite Sound: My dog panting. She’s such a calming presence in my life and she
loves the company. It’s also a nice reminder that life can be simple and fulfilling.
My Favourite Album: Coloring
Book – Chance the Rapper. I grew up with a lot of gospel and soul around the house, so to see it find a modern home
was amazing. I love Chance’s music choices and energy too. What a fella.
My Favourite Film: The
Prestige. One of Christopher Nolan’s lesser known works, but still holds up so well today. Essentially a non-linear
Nolan classic against the backdrop of the artistry of magicians. I also love period films so this just ticked all the
boxes.
My Favourite Soundtrack: Blood Diamond – James Newton Howard. This was the first full film
soundtrack I really sunk my teeth into as a kid. Packed full of hooks and motifs with the right blend of indigenous instrumentation,
and peaks and troughs. I’m not a massive JNH fan but this one really did it for me.
My Favourite TV Series: Black
Mirror. Not selling out here but how can this not be in anyone’s top 5? This series is a goldmine of incredible ideas
packed into an hour of succinct storytelling. And who doesn’t love bleak, dystopian outlooks? It’s like pizza; even when it sucks it’s
awesome.
My Favourite Hobby: Watching and angry tweeting about the NBA (National Basketball Association). Got
hooked when I was 20 and never turned back. A hundred times more exciting than football. Lifelong Lakers fan (sellout again).
No one in the world is spared the COVID-19 lockdown, and lewloh, or just Lew as he is known among friends and
family, is similarly affected.
The Singaporean singer-songwriter is currently taking his Fall semester at the Berklee College of
Music – not on campus in Boston itself, but online, from a residence somewhere in Idaho, where he is quarantining with his mother.
Meanwhile, he just started a new series on his YouTube channel
called Letters To Let Go Of, where he will write a new song each Wednesday to a letter randomly picked from a stash of
correspondences with past relationships.
“My mother said to throw them away. I said I’d write songs to them. I need to resolve
the attachment issue, by turning it into art,” he says, adding, “It’s also good as an improvisational exercise. Everything is at the
spur of the moment.”
Lew, who has a twin sister born two minutes later, has written about 300 to 400 songs, although “only 30 or
so have been released,” he reveals. “I don’t have an infinite bank account to release all of them,” he quips.
It’s therefore
surprising to find out that his favourite subject in school isn’t a liberal arts subject, but biology. “I really like the sciences, the
more logic-based fields,” he says. “Maybe it’s why I gravitate towards music. It combines both emotion and logic. When you study music,
you not only go into the science and theory of what it does to your brain, but also, importantly, how it makes you feel.”
You
can check out Lew’s own compositions at the inaugural music series, Flock at The Nest, where he performs alongside two other artists,
Benjamin Kheng and Marian Carmel.
My Favourite Music Artist: The Weepies. The Weepies are an indie
pop-folk band from Cambridge, Massachusetts, who started releasing their albums in the early 2000s – which, incidentally, is my
favourite decade in music. They are a husband-and-wife duo. I only discovered their music two to three years ago. Their music is very
centred on imagery. It’s sensory. That’s how I’d like my music to be like: It’s not just a vibe, but a whole experience.
I have
seen them live in person last year. They’d come with their three kids in a caravan, and they would tuck them in to bed before they
performed. They sounded just as good as they did on record. It’s just wholesome to see a married couple who not only are able to make
music together, but also sing about real issues and deal with nuances in the relationships.
My Favourite Sound: Thunder
whilst inside a car on the highway. One of my favourite and most vivid memories was during a typhoon in Hong Kong. All the
trees were falling, the lights out, and I was in the safety of the car with my family. We were driving home, 3km per hour. You weren’t
cradled to sleep. There was still the sense of urgency and alertness which kept you awake.
My Favourite Album: Midnight
Machines by a Canadian electronic artist called Lights. This is my lullaby record. I put this on when I need to
sleep, shower, or de-stress. It’s an acoustic version of an electronic album – it did even better than the original. The tendency is
for music students to analyse and dissect a song, to hear whether it sounds good or not. With this, I don’t at all. I have been using
this album as a crutch for five years. It’s on repeat.
My Favourite Film: Deep Blue Sea (and every
other shark movie). I just like shark movies. There’s something about sharks. My favourite genre is horror. I like the sense of the
unknown. You don’t know what is going to happen. I like the feeling of fear in a controlled environment. You know four-fifths of the
cast are going to be eaten, and you leave the movie unresolved, like there’s always a baby shark at the end. That’s how I like my music
too, like, damn, it doesn’t end properly.
My Favourite Soundtrack: Frozen. Frozen is the
very first movie I ever watched alone. It was an 8am show and the ticket was cheap. I was supposed to watch it with a friend who
flaked. The music in Frozen is so good. There’s a reason why it’s overplayed, cos it’s really good. The soundtrack has so much
personality and character. I especially like the duets, ‘For the First Time in Forever’ and ‘Love Is an Open
Door’.
My Favourite TV Series: Modern Family. Modern Family was the first TV series
that really normalised LGBT relationships. I like that in the show, they don’t make a big deal out of the sexuality. Oh yeah, there’s a
family with three kids and another with one adopted child. Families come in all shapes and sizes, as long as there are good parents and
good family members, that’s all that matters. Plus, the writing is so smart and witty.
My Favourite Hobby: League
of Legends. This is so geeky, but I need to confess. I am in the Top 1 per cent of all players. It’s kind of
embarrassing ’cos all the hours spent playing the game could be spent on music. You know how when a hobby becomes an occupation, you
need another hobby. Gaming is that hobby. So, it’s enough music, close the books, let’s play the game.
Marian Carmel is blessed with the enviable gift of putting her listeners completely at ease – one she shares
with her musical heroines, Emily King, Lianne La Havas and Sabrina Claudio.“
I’m one of those people who only write whenever the
inspiration comes. I guess that’s when you get the most genuine songs,” she once said in an interview. That rare connection comes
through sublimely in her live performances, which she hones as a street busker while still studying.“
I started being
financially independent at the end of 2016” she remembers, adding that on a public holiday, such as Christmas, she could earn as much
as $400, and on a regular day, she’s got as little as $6. Still, there’s not one night that she regrets busking.
Born in the
Philippines and raised in Singapore, she clearly loves singing and communicating through her songs. This can be seen in an intimate gig posted on YouTube where at the 4.34-minute
point after delivering her song ‘Nothing’, she is visibly touched by the audience’s response, holding back tears and with her right
hand across her heart.
Her hard work is paying off. She made her solo debut with a single called ‘Might Never Get Better’ which
was chosen to be in 10 Spotify-curated playlists all over the world in late 2019. Her other song ‘Thursday’, co-penned and performed
with Axel Brizzy, was crowned “Best Song to Sing Along to” at the Singapore Youth Music Awards 2019 and has garnered over a million
streams on Spotify. A mentee in the National Arts Council’s Noise Music Mentorship programme, she has taken part in MTV Asia’s Project:
Aloft Star, Yamaha Asian Beat, and The Great Singapore Replay: Season 2.
Don’t miss this rising star as she makes her debut at
the inaugural Flock at The Nest. Meanwhile, let’s find out more about her as she takes on our series, My Favourite
Things.
My Favourite Music Artist: This is always one of the most difficult
questions to answer – how do you even begin to list down the music/musicians that inspire you? I’ve gone through so many phases, and
it’s always a different artist each time.
But the ones I always come home to are Emily King, Hiatus Kaiyote, and Panic!
At The Disco (all the way from my secondary school emo phase). Currently, I have Bruno Major, Sabrina
Claudio and NIKI on repeat though!
My Favourite Sound: My miniature schnauzer, Heidi,
eating apples. She loves crunchy fruits and veggies; and when she eats them, it’s the most satisfying ASMR-thing ever.
Like a big ‘CRRRRRONCHH!’, but she’s always so gentle about it.
My Favourite Album: EVEN MORE
DIFFICULT A QUESTION! I want to say it’s something nice and jazzy like Bruno Major’s A Song For Every Moon (a
very worthy contender that kept me company during Circuit Breaker), but after a long tiring week, I find myself listening to Panic!
At The Disco’s Pretty. Odd.. Something about the opening line being “Oh, how it’s been so long, we’re so sorry
we’ve been gone,” feels like a warm hug from an old friend you haven’t seen in a while.
My Favourite Film: Fun
Fact: I am terrible at remembering movies! I forget them so easily, but I do remember whether I like them or not. I used to be a huge
fan of Inception, but I don’t really remember how it goes anymore. I just remember liking it a lot. I even
owned one of those spinning top things (I don’t even remember what it’s called). If I ever have trouble sleeping or need to rinse my
brain after a horror movie, my go-to is Ratatouille.
My Favourite Soundtrack: If
someone asked me to sing a soundtrack from start to finish by heart, I could only ever do it to High School
Musical. I was OBSESSED with HSM growing up, I still know the lyrics to all the songs from the first and second movie
(we don’t talk about the third).
My Favourite TV Series: I’m a sucker for feel-good movies/series. I’d say
it’s a three-way tie between Queer Eye, The Good Place and Brooklyn Nine-Nine! Whatever it is, I end
up crying happy tears anyway.
My Favourite Hobby: Not a lot of people know this, but I love pole-dancing!
I picked it up about three years back, and apart from being a fun sport, it’s also helped me love my body and myself a lot more. Being
in the same room with women who are strong and are working towards the same goal as you, is so inspiring and empowering.
Flock - The Xmas Edition (Pilot Trial Performance)
Flock
is back. The second edition, or Flock – The Xmas Edition, will be better than the first (if that’s possible!). Because, this time,
ticket holders will enjoy ‘live’ music that will put a smile on even Scrooge’s face and throw a glimmer of hopeful cheer, at the Pasir
Panjang Power Station. Yes, live. You read right.
Flock holds true to its original premise: to be the platform for musicians to
perform their original work. And that’s exactly what the audience will get with Flock – The Xmas Edition. Great live music at an
intimate, compelling venue. What a way to round up an unforgettable, life-changing 2020, no?
Featuring
Matinee:Aisyah Aziz and Nathan Hartono
Evening:Lorong
Boys and Nathan Hartono
Aisyah Aziz was propelled into the music industry when she finished sixth place in Akademi Fantasia
Season 10, one of Malaysia’s top rated reality TV shows. She has released seven singles while performing in Malaysia, Singapore
and Indonesia. Although Aisyah’s music is categorised as pop, she is delving into alternative R&B while experimenting with
ethnic melodies and electronic sounds. Her hit single in 2017, ‘Senyum Saja’, bagged the award of Best APM Song and Most
Popular Song Singapore at Anugerah Planet Muzik the same year. She has won a number of awards, namely Best Female Singer for
Anugerah Planet Muzik in 2016 and in 2017 received the Best Asian Artist representing Singapore for Korea’s annual Mnet Asian
Music Awards. Her latest release is Sugar – The Live Extended Play, with her singing mainly in English and exploring a more
neo-soul, analogue approach.
Lorong Boys are award-winning Singaporean musicians who are equally at home playing on the hallowed
stage of a concert hall as well as in the heartland. Lorong Boys are adept at styles ranging from classical music to Broadway
hits, from Top 40 pop hits to jazz standards. Founded in 2014, the band was born out of a deep friendship and a common love for
music when David Loke (violin), Joachim Lim (drums and percussion), Jonathan Shin (piano, guitar and composing) and Rit Xu
(flute) were all schoolmates at the Yong Siew Toh Conservatory of Music at National University of Singapore. Being bold and
innovative, they have toured Indonesia and appeared on almost every TV channel and radio station in Singapore. They were also
featured in the SG50 The Gift of Song music video, and have worked with home-grown artists including Inch Chua, Nathan Hartono,
and The Sam Willows.
Nathan Hartono is a Singaporean singer-songwriter-actor. In 2016, he became the first Singaporean to
make it to the finals of the Chinese singing competition, Sing! China. He was nominated Most Popular Overseas Singer at the
2017 MTV Global Chinese Music Awards, featured in Prestige Singapore’s 2018 Prestige 40 Under 40, named a Brand Personality for
the Singapore Tourism Board, on top of a multitude of successful brand partnerships. In 2019, Nathan started his Mando-pop
career with Warner Music China and released his debut Mandarin EP, Do Nothing Day, in September 2020. With the release of ‘Dig
Deep’ (the first English single in four years since 2016’s ‘Electricity’) this year, Nathan is working on his new English EP to
be released in late 2021, with the first focus single pencilled in for late January in the coming new year.
EVENT T&Cs
- Each e-ticket provides personal access
to Flock - The Xmas Edition ("Event").
- MATINEE: The matinee show features Aisyah Aziz and Nathan Hartono. Doors
open from 1.30pm. Show begins at 2.30pm and will run for approximately 110 mins.
- EVENING: The evening show features Lorong
Boys and Nathan Hartono. Doors open from 7.30pm. Show begins at 8.30pm and will run for approximately 110 mins.
- No
photography, videography or audio recording of the Event is allowed.
- No food and beverage will be allowed into the Event.
- We
strongly encourage the use of public transportation. Please note that NO parking will be allowed at the Pasir Panjang Power
Station.
- There is no re-entry to the Event, should you leave for any reason whatsoever.
- Please read the full Event Terms
& Conditions here: Event T&Cs
SAFE MANAGEMENT MEASURES
-
Audiences are allocated an entry time with a window of 15 minutes depending on their zones to stagger entry for guests. Please be
punctual as entry for latecomers will not be permitted until the next appropriate timing.
- Audiences must be masked at all
times.
- Audiences are to comprise no more than 5 persons per group, in line with national guidelines on group size. There should be
no physical interaction or mixing between groups.
- All audiences are required to check in to SafeEntry through either scanning the
QR code using the TraceTogether App on their phone, or by presenting their TraceTogether Token to be scanned. Other check-in modes,
such as using the phone’s camera, SingPass Mobile, other QR code reader apps, or using NRIC/FIN and other photo IDs, will not be
accepted.
- All audiences must adhere to the venue's safe management measures, which include wearing masks, maintaining safe
distance, and to not enter the venue if unwell.
- Audiences are kindly asked to remain seated for the full duration of the event.
After the event, audiences will be ushered out of the venue in groups, according to seating zones.
Flock At The Nest
For the discerning music fan open to
new sounds, Flock at The Nest is an intimate showcase for musicians to present original compositions live. Get to know the artists as
they reveal different sides of their artistry in a cosy set-up at a new space – The Nest, housed within Pasir Panjang Power Station,
which is preserved in all its industrial glory.
Featuring:Marian Carmel and
lewloh, with Benjamin Kheng
Brought to you by 24OWLS—a team of daring music event programmers who are committed to novel and
exciting ideas.
Benjamin Kheng is a Singaporean musician, actor, host, writer and former national swimmer. In 2012,
he made his debut in 2012 as one of the founding members of the popular pop quartet, The Sam Willows. The group has performed
at the SXSW Festival in Austin, the Canadian Music Festival in Toronto, MU:CON and Zandari Festa in Seoul, the Singapore F1
Grand Prix 2013 and 2014, and the Western Australian Music Festival in Perth. In November 2019, he returned to music after a
year-long break with the release of his first solo single ‘Wicked’. Other singles ‘Find Me’ and ‘Lovers Forever’ were met with
equally enthusiastic responses, showing off his vocal versatility and artistic ambition. In June 2020, Benjamin released his
highly anticipated debut EP A Sea That Never Stops. He has ventured beyond music into the world of acting. His range as an
actor is manifest in the roles he is tipped to play, from the leading role as Romeo in Romeo & Juliet (by Toy Factory) to
recruit Ken Chow in the musical adaptation of movie blockbuster Ah Boys To Men: The Musical (Running Into The Sun). He is also
one half of the acclaimed comedy sketch series The BenZi Project.
Read More >
Born in Hong Kong to Singaporean parents, lewloh is a singer-songwriter who translates intangible
emotion into a warm embrace. He has a melodic silky voice which hugs you like a friend, and takes you home while his
songwriting focuses on the human connection and the healing of trauma. He became well known while serving National Service. In
2015, he fronted the Singapore Police Force band’s cover of the National Day song ‘Our Singapore’ and the music video was
shared by Prime Minister Lee Hsien Loong, who praised the “beautiful rendition”. A prolific songwriter, he has released one
album, Lullacry (2017), and three EPs, Red Flags (2019), There’s Something in My Eye (2018) and ENFJ (2018), which have clocked
a total of 11 million streams on Spotify and Apple Music. lewloh is currently pursuing his studies at the Berklee College of
Music in Boston.
Read More >
Marian Carmel is a Filipino singer-songwriter based in Singapore, with the gift to evoke a range of
emotions. Her ethereal, soulful vocals breathe life into the melancholic nature of her songs and are influenced by Emily King,
Lianne La Havas, and Sabrina Claudio. She has collaborated with artists such as Japanese electronic-pop outfit Tokimeki
Records, Singaporean singer-songwriter lewloh, and Indonesian electro-jazz duo Mantra Vutura. Marian’s first release ‘Thursday’
was co-written and performed with Axel Brizzy. Dubbed the “Best Song to Sing Along to” at the Singapore Youth Music Awards
2019, the track has garnered a million streams on Spotify. In 2019 and 2020, Marian participated in The Great Singapore Replay:
Season 2, a talent development programme where she worked with artists and producers such as Charlie Lim and Evanturetime. She
finished the programme with an original indie composition ‘Still Here’, which touches on Singapore’s colonial
history.
Read More >